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Brodinski来自法国东北部城市兰斯，他成长在法国电子音乐最鼎盛的时期， 启蒙于Techno先驱Erol Alkan，Andrew Weatherall以及工业金属Nine Inch Nail。Brodinski的音乐里既有控制血液跳动和心脏起伏的震撼节奏，又有硬派摇滚的歇斯底里。同时，游走世界舞台的Brodinski不间断地吸收着来自各路的创意元素，令他的音乐又多了一份充满实验性的先驱色彩。
Brodinski与好朋友DJ Mehdi, Pedro Winter, Tiga等主宰着大都市的地下音乐世界。他在2011年与Manu Barron创建了厂牌Bromance，旗下囊括Gesaffelstein, Club Cheval, Louisahhh！！！等优秀音乐人，其中不少音乐人已经在STD的舞台上与大家见过面。虽然如今厂牌解散，但是它为地下音乐世界带来的影响永远停留在叛逆夜生活青年最美好的派对记忆中。
Brodinski、Bloody Jay - Us
回到亚特兰大，Brodinski在接受音乐杂志<Fader>的采访时这样说“我来这里不是采个样，完成任务后就拍拍屁股回巴黎；我来这里是想建造一些不一样的东西！”Brodinski作为艺术家的真诚和他吸足了法国精神内核的现代嬉皮电子风格最终令嘻哈之城的大门为他打开。他与包括21 Savage, Hoodrich Pablo Juan, Yakki等嘻哈音乐人合作，制作出Mixtape< Sour Patch Kid>。Yakki高调评价：“Brodinski简直就是一股全新浪潮！”
Brodinski、Sd - Can't Help Myself
2016年11月，Brodinski与 Young Thug的团队Young Slime Season紧接着发行了另一张Mixtape <Young Slime Season>。
算上个人专辑，音乐会，世界巡演，创建自己的厂牌，Brodinski几乎达成音乐人to do list上的所有项目。然而与自己帅气长相截然相反的谦虚性格令Brodinski一点懈怠的意思也没有。对他来说音乐不仅局限于个人满足，他的成就感与观众和朋友们多么享受自己的音乐成正比。
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At first he was just a kid at a computer. Born into ageneration whose musical culture is forged in just a couple of clicks,Brodinski spent much of his youth creating mp3 files, first in his hometown ofReims, and then in Lille where he went to study.
This included techno, of course, from Erol Alkan to AndrewWeatherall, but also Nine Inch Nails-style rock and the slick and menacing rapof artists like Three 6 Mafia and their Southern sound.
From an early age, Brodinski began to see music as a vastworld without boundaries, where artists are no longer restricted by categories,and what truly counts is their drive and passion. In Reims, Brodinski spenttime hanging out in the studio of the producer Yuksek, alongside a group wholater went on to form The Shoes.
In this musical melting pot, he quickly started working onhis first mixes, sending them off to the blogs that began to proliferate onlinein the mid-2000s. Brodinski knew very early on what he wanted to do with hislife: play music, and be a DJ. He liked the idea of sharing his music, ofgetting a crowd going, of creating a vibe, with sets that expanded musical horizonsall while blurring genres.
After the mixes came the club gigs. And so it was thatBrodinski became a proper DJ, the new face of a burgeoning French techno scene.Like a track that downloads in the blink of an eye, it all happened veryquickly. The young DJ lined up gigs, travelling, exploring the world and itscultures, and meeting people who went on to become friends and inspirations forlife, including DJ Mehdi and Pedro Winter, as well as Tiga and 2 Many DJs. Theyears passed at breakneck speed.
In 2011, he decided to take his career in a new direction,launching the Bromance label with his manager Manu Barron. A name that is nocoincidence: Brodinski sees his life as an organic whole, in which his careerand his friends' enjoyment are inextricably linked. The various artists whohave made up the ranks of the label, Gesaffelstein, Club Cheval and theAmerican Louisahhh!!! are all close friends, who share more than just a tastefor the turntables with the DJ. At the helm of this team, the proud champion ofFrench electronic music, Brodinski added yet another string to his bow. Nolonger just a DJ, he was a team leader, an artistic director, a conductor. Hegave direction, putting his own distinctive signature on people's music. Soon, people were coming to him for hisinstinct as a tastemaker. And more recently, Brodinski has turned his hand toproducing, for Kanye West and Theophilus London, two music legends who he meton his travels. His collaborations with them are nothing more than the resultof a mutual passion.
Throughout this prolific career, there was only one box leftto be checked: an album. A few months ago, after all these years DJing aroundthe world, Brodinski, now 27, put the brakes on his frenetic career to set upin the studio and finally check that box. To translate his creative vision,Brodinski called upon two of his friends; DJ Kore, collaborator
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